ORB Music — Royalty Tracking & Management

We find. We track them. We manage the royalties that belong to you.

Every use of music generates data — and every piece of data is a trail leading to a royalty. We combine technology, human intelligence and specialized expertise so that not a single penny is lost along the way.

How we find value

Royalties leave a trail. We find them. We track them. We manage the royalties that belong to you.

ISRC, metadata, cue sheets, performance logs, statements, credits: every use of your music generates data. We cross-reference this information with technology and specialized intelligence to trace the path from the music to the money that is yours.

Royalty FarejIAdor
Our proprietary system that sniffs out, cross-references and connects information to uncover royalties that were hidden.
01

Track

We identify where the music is being used and whether the royalty is being paid.

02

Fix

We regularize documentation, metadata and registrations.

03

Recover

We recover what was withheld, lost or unidentified.

Seven pillars. One management.

From data to the money that reaches you.

Each pillar covers a different front of your music assets. Click to see what we cover in each one.

Capacidade transversal
ROYALTY RECOVERY
Track. Identify. Fix. Recover.
Track
Royalty Tracking
Fix
DOCs · Cue Sheets
Manage
Performance · Digital & Mechanical
Account
Royalty Accounting & Analytics
Protect & Grow
Legal & Business Affairs · Catalog & Capital
Full management of public performance royalties with ECAD, Brazilian collecting societies and international entities, including monitoring of collection, distribution, credits, adjustments, withheld amounts and identification of royalty recovery opportunities.
Integrated management of digital and mechanical royalties for labels, publishers and major creators, covering publishing rights and neighbouring rights, with monitoring of the different revenue flows and responsible entities.
Preparation, review, processing and management of cue sheets for audiovisual works. Identification of music, rights holders, splits and metadata; organization of historical records; regularization and delivery to the entities responsible for royalty distribution.
Continuous monitoring of repertoire usage to identify where the music is being used and whether the corresponding royalties are being paid correctly. Includes the Royalty FarejIAdor, ORB's proprietary technology for identifying usage, inconsistencies and uncaptured revenue.
Administration and regularization of works, sound recordings, rights holders, splits, ISRCs, metadata and documentation with the relevant entities and platforms — so that every right is correctly documented and the royalty flow happens without losses.
Centralization, reconciliation, settlement and analysis of royalty receipts in ORB's proprietary system, consolidating different revenue sources into a single base. Statements, history, performance analysis and transparency on how much, from where and why each royalty was received.
Specialized consulting and representation in Music Copyright Law and music industry business, including negotiation, drafting and review of contracts, licensing, publishing, distribution, catalog assignments and acquisitions, plus legal support for clients' operations.
End-to-end catalog management: catalog organization, prospecting sale or licensing opportunities, due diligence and drafting of acquisition or licensing agreements.
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ORB in Numbers

Scale that is only built through attention to detail.

R$0M+
In royalties managed
R$0M
Royalties recovered from black box
R$0M
Catalog & Capital — catalogs negotiated
0
Years of specialized operation
0
Active clients
0
Cue sheets created
Trust

The royalty manager behind the hits.

We work with artists, composers, production companies and publishers who trust ORB to manage their music assets.

CAVENDISH
GRINGOS/BLESSED
MC IG
MAINSTREET
MÚ CARVALHO
NAS NUVENS MUSIC
GLOBO
4M
IURI CUNHA
DÉ PALMEIRA
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Who runs the operation

The team behind every penny recovered.

Specialists in copyright, data and relationships with platforms and collecting societies.

Daniel Campello
CEO
Lawyer, researcher and founder of ORB. PhD in Public Policy on Copyright from UFRJ, author of Law 12.853/2013. Advised artists, publishers and broadcasters over more than a decade in the industry.
Natalia Bretas
Film&TV
Leads the integrated management of rights across Film&TV, Publishing and Labels: catalogs, licensing, cue sheets, contracts and registrations, with traceability of usage in Brazil and abroad.
RL
Raphael Lacerda Rodrigues
Royalties
Royalties specialist, working directly on royalty allocation, individualized statements for artists and rights holders, and control of copyright payouts.
Bianca Azevedo
Docs, Tracking & International
Works across documentation, tracking and international operations, supporting registration and documentary consistency for works in Brazil and abroad.
Lorena Vieira
People & Culture
Leads ORB's People & Culture team: strategic recruiting and selection, personnel administration and labor compliance.
Marcos Mendonça
Operations Intern
Part of the Operations team working on Publishing and Labels, supporting routines with a focus on marketing and catalog positioning.
LV
Luísa Valente
Publishing & Labels
Relationship with DSPs such as Spotify, Apple Music and TikTok Music, release pitching, publishing deal negotiation and data-driven performance analysis.
Letícia Auler
Tracking
ORB's Tracking team, dedicated to monitoring and reconciling usage of works, sustaining traceability of rights across the chain.
Luiza Nascimento Paraizo
Legal
Works directly on ORB's legal and contractual matters: copyright contract drafting and review, and legal compliance across the company's documentation.
MB
Marlon Bonfim Pereira
Treasury
Planning and finance specialist, responsible for structuring and financial planning of the business, bringing predictability and control to the operation.
JC
Julio Cesar
Operations Intern
Part of the Operations team working on Film&TV, supporting rights management workflows applied to audiovisual content.
A wrong registration. A missing credit.
An unidentified performance. A withheld royalty.
They seem small, isolated. Multiplied by thousands of uses, platforms, territories and years, they can add up to real money.
Every Penny Counts.

Your music generates value. Are you receiving all of it?